Tame Impala’s previous records were guitar-driven, studio-obsessed documents — Lonerism’s lo-fi shimmer, Currents’ pop reinvention — that established Kevin Parker as a primary auteur in contemporary psychedelic rock. Deadbeat, the fifth album, arrives as a deliberate break: Parker trades those guitars for house rhythms, synthesizer bass, and the sonic logic of Western Australian free-party culture. The Deadbeat Tour brings that break to Centre Bell on July 22.
About the Show
Released October 17, 2025, Deadbeat represents Parker’s deepest departure from his earlier sound. Inspired by the Western Australia rave scene and extended free parties held in the countryside, the album pushes into house, rave, and ambient electronica, replacing the layered guitar textures that built Tame Impala’s reputation with shimmering synths, throbbing bass, and kinetic percussion. The album’s reception was divided. Some critics found it unfinished or tentative; others received the club-psych experiment as a credible new direction. The clear standout, by wide critical agreement, is “Dracula,” described in reviews as “effortlessly groovy, vibrant” and capturing “the allure of a party in the wee hours of the night.” “Loser,” “Piece of Heaven,” and “Oblivion” also drew favorable notice.
Parker’s response to mixed reviews has been production on a large scale. The Deadbeat Tour runs in the round, with a 360-degree stage design first deployed at Miami’s Kaseya Center for the tour’s July 6 and 7 opening shows, complete with laser displays and extended live jams built to push the album’s rave aesthetic into arenas. This is the expanded North American leg, following a limited fall 2025 run across New York, Chicago, Austin, and California and a European stretch in April and May; the North American dates continue before a final run through Australia in the fall. The Montreal set follows the framework established in Miami: nine of Deadbeat’s 12 tracks, alongside Currents and Lonerism material. The Slow Rush gets minimal space, and Innerspeaker was absent from the Miami nights. “Apocalypse Dreams” opens the set; “Dracula” serves as the showcase for the new record. Djo — actor-musician Joe Keery — opens the evening and handles support through August 5. Shows have been running approximately two hours.
Venue & Logistics
Centre Bell sits on Avenue des Canadiens-de-Montréal in Montreal, where the room has the infrastructure to support the in-the-round production the Deadbeat Tour requires. Doors open at 5:30 p.m.; the show begins at 7:00 p.m. The event is all ages.
Tickets
Tickets are available through Ticketmaster. Buy tickets